Milton Public Library

Men, women, and chain saws, gender in the modern horror film

Label
Men, women, and chain saws, gender in the modern horror film
Language
eng
resource.accompanyingMatter
technical information on music
Form of composition
not applicable
Format of music
not applicable
Literary text for sound recordings
other
Main title
Men, women, and chain saws
Medium
electronic resource
Sub title
gender in the modern horror film
Summary
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented, notably the slasher movie's "final girls" as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers
Target audience
adult
Transposition and arrangement
not applicable
Classification

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