Bibliograph

Portrait of a lady on fire, Neon and Lilies Films present ; in association with Arte France Cinéma and Hold-Up Films ; with the participation of CNC ; with the support of La Région Île-de-France ; with the participation of Canal + Ciné + Arte France ; in association with Pyramide, MK2 Films, Cinécap 2 ; producer, Bénédicte Couvreur ; written and directed by Céline Sciamma

Type

Label

Portrait of a lady on fire, Neon and Lilies Films present ; in association with Arte France Cinéma and Hold-Up Films ; with the participation of CNC ; with the support of La Région Île-de-France ; with the participation of Canal + Ciné + Arte France ; in association with Pyramide, MK2 Films, Cinécap 2 ; producer, Bénédicte Couvreur ; written and directed by Céline Sciamma

Language

fre

Characteristic

videorecording

Intended audience

Canadian Home Video Rating: PG

Main title

Portrait of a lady on fire

Medium

videorecording

Responsibility statement

Neon and Lilies Films present ; in association with Arte France Cinéma and Hold-Up Films ; with the participation of CNC ; with the support of La Région Île-de-France ; with the participation of Canal + Ciné + Arte France ; in association with Pyramide, MK2 Films, Cinécap 2 ; producer, Bénédicte Couvreur ; written and directed by Céline Sciamma

Runtime

121

Series statement

Criterion collection, 1034

Summary

France, 1760. Marianne is commissioned to paint the wedding portrait of Héloïse, a young woman who has just left the convent. Because she is a reluctant bride-to-be, Marianne arrives under the guise of companionship, observing Héloïse by day and secretly painting her by firelight at night. As the two women orbit one another, intimacy and attraction grow as they share Héloïse's first moments of freedom. Héloïse's portrait soon becomes a collaborative act of and a testament to their love

Target audience

general

Technique

live action

Classification